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A Splurch in the Kisser: The Movies of Blake Edwards - download pdf or read online

By Sam Wasson

ISBN-10: 0819569151

ISBN-13: 9780819569158

With one of many longest and such a lot arguable careers in Hollywood historical past, Blake Edwards is a phoenix of motion picture administrators, jam-packed with hubris, ambition, and raving comedian chutzpah. His rambunctious filmography continues to be an inventive strength on par with Hollywood's maximum comedian administrators: Lubitsch, Sturges, Wilder. Like Wilder, Edwards's propensity for hilarity is double-helixed with soreness, and in motion pictures like Breakfast at Tiffany's, Days of Wine and Roses, or even The crimson Panther, we will pay attention him off-screen, giggling at midnight. And but, regardless of these huge, immense successes, he was once at one time thought of a Hollywood villain. After his marriage to Julie Andrews, Edwards's Darling Lili approximately sunk the either one of them and taken Paramount Studios to its knees. nearly in a single day, Blake grew to become an pariah, which sarcastically fortified his feel of satire, as he concurrently fought the Hollywood tide and rode it. making use of prepared visible research, meticulous learn, and troves of interviews and creation records, Sam Wasson supplies the 1st whole account of 1 of the maddest figures Hollywood has ever identified.

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Extra resources for A Splurch in the Kisser: The Movies of Blake Edwards

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Meanwhile, Blake's old friend, director Richard Quine (who bad cast him as a boxer in Leather Gloves}, invited him to co-author a film script at Columbia, and Edwards jumped at the opportunity. he Swamp (1946) The young actor Blake Edwards, not a day over twenty-four, with Rosemary La Planche. It's tough to see from this angle, but Blake's outward-pointed ears have been taped down. (PRC/Photofest) may have been a kind of second (or third) tier Cukor, but as a mentor, he was ideal. "' In the period between 1952 and 1955, Blake co-wrote seven films with Quine, starting with Sound Off, starring Mickey Rooney.

When we left we played a game of miniature golf and talked about it. " Somehow we decided that we'd collaborate and write a Western. To raise money we painted his mother's house, and to have a kind of bible to go by, we took one of my father's scripts and practically copied it. If you took the Western we wrote, I'm sure it had the same scene numbers and every· thing practically the same. And we ended up producing it- it was called Panhandle. ' "I've always loved the West and that part of our culture," Edwards said, adding, "I think that it particularly inspires the younger mind in terms of dramatics.

E, Tony won't be the one throwing the splurches in the kisser of authority (as he does in Cory), he will be the one receiving them. A large part of Blake's aesthetic is determined by this interest in the risks of self-stylization. " Critic Dave Kehr is terrific on this point. "' Space in Misttr Cory, neither thriller nor comedy, works in the exact o pposite manner. Rather than make his frame frighteningly claustrophobic for a thriller or hilariously cl uttered for a comedy, Blake opens it up. Thus, dramas like Cory are free from spatial restriction.

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A Splurch in the Kisser: The Movies of Blake Edwards by Sam Wasson

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