By Chris Ware
Jordan Wellington Lint, fifty-one, is leader government officer of Lint monetary items, an organization he started serving in 1985 as assistant and adviser ahead of operating his approach up its company ladder to record-setting innovation within the fields of finance and high-yield funding. In his seven years because the head of Lint, Jordan has grown the corporate from a enterprise lender and actual property speculator to a number one supplier of community monetary infrastructure providers, all of the whereas positioning Lint as a version of company integrity and high-yield, low-risk product. Lint's imaginative and prescient has made him essentially the most influential and largely sought-after leaders within the complicated Omaha securities undefined, and his clean method of an realizing of neighborhood difficulties, management, and backbone have enabled Lint to outdistance and outpace its competitors.
Lint graduated from UNL in 1981 with a B.A. in enterprise and in brief studied tune and recording in la sooner than returning to his place of origin of Omaha, Nebraska, the place he has endured his lifestyles trip ever considering the fact that. In his ongoing position as leader govt officer and his twin roles as public servant and father, Lint keeps to place his inventive management and imaginative and prescient to paintings in various demanding settings. he's married and the daddy of 2 boys.
The ACME Novelty Library #20 comprises a contributing bankruptcy to cartoonist ChrisWare's slow accretion of the continuing photo novel test "Rusty Brown".
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Additional resources for Acme Novelty Library 1
In all this Marston was showing his virtuosity, but underlying the display of a range of satiric stances, there lies a quality peculiarly characteristic of Marston himself. The main attack of his satires is on various forms of lust, and much of his language has a violence of tone that prompted a sharp comment in the anonymous academic play, The Return from Parnassus, part II (1606), on the /ygreat battering ram of his terms/' but the violence seems to mark a powerful sense of revulsion at times, a melancholy that has been seen as a dark, pessimistic weariness falling little short of despair.
S. Eliot, 'Thomas Middleton" (London, 1927), reprinted in Eliot's Selected Essays (London, 1932), Elizabethan Essays (London, 1934), and Elizabethan Dramatists (London, 1962), praises Middleton as "a great comic writer and a great tragic writer" yet one who "has no point of view"; M. C. Bradbrook, Themes and Conventions of Elizabethan Tragedy (Cambridge, 1935), includes a sensitive analysis of The Changeling and Women Beware Women; U. Ellis-Fermor, The Jacobean Drama: An Interpretation (London, 1936; rev.
Kinsayder," proclaiming in this: "He that thinks worse of my rhymes than myself, I scorn him, for he cannot; he that thinks better, is a fool/' It is not necessary to take this disclaimer too seriously, but it shows an equivocal attitude to his own writing, something that may be traced in many of his works. In June 1599 came an order prohibiting the publication of satires. The immediate cause of this is not known, but Marston's poems were part of a spate of satiric writing in this period, and some of it was bound to give offense.
Acme Novelty Library 1 by Chris Ware