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Extra resources for Apple - Aperture Digital Photography Fundamentals
The reason for this is that digital devices like LCD displays combine red, green, and blue light in different combinations to produce the desired color. All colors combined at their maximum intensities create white, and the absence of color creates black. On the other hand, a printed piece like a magazine cover combines cyan (C), magenta (M), and yellow (Y) inks in different combinations to create a color that reflects the proper color of light. Black ink (K) is added to the image last to generate pure black on the page.
As you can see in the table below, the file type you shoot your images in dramatically impacts the tones visible in your images. Bit depth per color channel Possible tonal values per color channel 2 4 4 16 8 256 JPEG, some TIFF 12 4096 Most RAW 14 16,384 Some RAW 16 65,536 Some TIFF Nearest equivalent file type Note: The bit depth of an image file is uniform (each pixel in the image has the same number of bits) and is initially determined according to how the image was captured. 38 Chapter 3 Understanding Resolution Here’s a practical example of bit depth.
They’ll also look different when viewed on other displays. Calibrating your display allows ColorSync to adjust your image for consistent viewing results. Calibrating involves attaching an optical device to your screen that evaluates your screen for luminance and color temperature. There are several companies that manufacture color-calibration tools. The tools can be expensive and can vary greatly in quality, so make sure you do an adequate amount of research before you make your purchase. com. Apple Cinema Displays Are Proof Perfect Apple Cinema Displays are so good at displaying color that you can use them in a SWOP-certified soft-proofing workflow.
Apple - Aperture Digital Photography Fundamentals