By Angela N. Grigor
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Extra info for Arthur Lismer, Visionary Art Educator
I was always interested in helping to organize little groups. I suppose that was in my particular nature - getting people together and so on - more or less a social kind of being. "67 There is no doubt that Lismer saw teaching as bringing him closer to his goal of being a full-time painter. He idealized art and artists, seeing them as sensitive to physical as well as spiritual experience, and had a strong desire to pass on something of his vision to others. With the improvement in their finances, the Lismers were able to rent another house in Thornhill close to the MacDonalds.
Much of the work by Notman painters was exquisitely rendered and achieved the objective of inspiring interest and pride in the magnificence of the country. But the detailed, photographic style did not reveal the feeling or character of the country and remained derivative of photography and European pastoral landscape painting. 30 Local artists were also influenced by this trend and, when they could, spent time studying in Europe, particularly in Paris. This factor effectively stunted the growth of a national art form, for even though these artists worked from the Canadian landscape, their ideal was European in style and approach.
Synge's Shadow of the Glen, and Maurice Maeterlinck's Interior. Lismer and Harris were involved with Mitchell's productions whenever possible. The list of guests who were entertained and who sometimes performed informally is also impressive. 37 Gregarious by nature, Lismer had already gained a reputation as a wit and an amusing speaker at the club, where he was often the centre of attention. "38 He was also popular and much in demand as an organizer with a flair for generating publicity,39 and characteristically continued to spend much of his time on activities that kept him away from painting.
Arthur Lismer, Visionary Art Educator by Angela N. Grigor