By Meg Greene
Billie vacation (1915-1959), the mythical jazz singer whose vocal stylings have been deeply affecting, maintains to enthrall. This biography conveys her hard-luck adolescence, profession triumphs, after which decline and early demise. At age 14, regardless of starting to be up with an absentee musician father, little education, a rape at 10, and detention center time for prostitution, this awesome woman moved to ny urban to discover paintings as a dancer or singer. She quickly turned the toast of Harlem and went directly to journey and list with the most important names in jazz.
Holiday's profession took off within the Thirties, in the course of the melancholy, and the biography inspires the period and surroundings of the jazz membership scene. The nation of race kin within the kingdom is mentioned as vacation excursions with white bandleaders resembling Artie Shaw or even as she sings approximately lynching within the arguable unusual Fruit. The narrative extra chronicles Holiday's relationships, descent into drug habit, the next diminishment of her expertise, and tragic early dying. Readers this present day will then are looking to hunt down Holiday's recordings to extra totally take pleasure in her interpretations of the songs of that vintage era.
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Additional resources for Billie Holiday: A Biography
For Holiday, the incident was another piece of bad luck. SOME GOOD NEWS Holiday may not have been making progress as a live performer, but her recording career blossomed. By the late 1930s, she recorded regularly for Columbia, usually under the direction of Teddy Wilson, with a small studio band made up of the best jazz musicians of the day. In general, the recordings were intended for a black audience and consisted of silly and second-rate love songs that white singers had declined to record. But with Wilson’s thoughtful arrangements, Holiday turned these otherwise forgettable songs into jazz classics.
She retired from making films in 1935 and pursued other interests, among them, flying planes, painting, and writing. BILLIE 17 According to Mae Barnes, however, Eleanora did not change her name because of Billie Dove, but rather because of a friend named Billie. She had no reason to take Fagan as her surname given her relatives’ dislike of her and her mother. Though reluctant to take advantage of her father’s growing fame as a jazz musician, Billie took “Holiday” as her last name. ” THE “UP” GIRL Billie and other young, female singers on the after-hours club circuit had a regular routine.
Within two years, her reputation as a singer had spread throughout Harlem, and she got regular bookings at clubs, cabarets, and bars. DADDY The world of jazz musicians is small and insular. It was thus only a matter of time before Billie met her father. Clarence Holiday worked with noted bandleader Fletcher Henderson. In 1932, Holiday also began playing at Bert Hall’s Rhythm Club, a Harlem gathering place for musicians to meet and look for work. At some point, Billie met her father, though accounts of their meeting differ.
Billie Holiday: A Biography by Meg Greene