By George B. Bridgman
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Extra resources for Bridgman's Complete Guide to Drawing From Life: Over 1,000 Illustrations
To avoid getting red eye, you simply need to shoot so that the angle between the flash and lens to the subject’s eyes is more than five degrees. Using an off-camera flash is one way to avoid getting red eye. You can also have your subjects look away from the camera slightly, or you can find a shooting environment or use camera settings that do not require a flash. You are more likely to get red eye when shooting in a dark environment because the pupil will be wider and more prone to reflect red light.
Qxd 6/22/05 7:41 PM Page 23 Pick Good Light for Better Photos. . . . . . . . . 24 Shoot in Haze or Fog . . . . . . . . . . . . . . 26 Silhouette Your Subject . . . . . . . . . . . . . 27 Learn When to Shoot with a Built-in Flash . . . . . . 28 Reveal Detail with a Fill Flash . . . . . . . . . . . 29 Add a Catch Light to Your Subjects’ Eyes . . . . . . 30 Prevent Red Eye . . . . . . . . . . . . . . . . 31 Add Natural Light with a Reflector .
This horse portrait has been overexposed. The pure white area on the face has no detail and cannot be brought back into the photo with an image editor. This histogram shows how much of the detail in the horse’s face has been pushed into the no-detail highlight area. qxd 6/22/05 7:45 PM Page 51 The pure white spectral highlights or reflections on this well-exposed photo of the shiny steel headlight are correct. The smooth white marble on the top of the head and on the arm of this statue should be nearly pure white because there is little detail to show.
Bridgman's Complete Guide to Drawing From Life: Over 1,000 Illustrations by George B. Bridgman