By L. Andrew Cooper
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In fact, she and Carlo have not appeared since the race to the Ranieris’ apartment. Sam’s search leads him to the back entrance of the Ranieris’ building. He is concerned enough to enter the building, go upstairs, and prowl through the Ranieris’ darkened apartment, but whatever suspicions he entertains during the search do not trigger further reconstruction of his memory. He does not seem to doubt Alberto’s guilt at all until he sees Carlo seated in a chair holding a knife. No flash of memory helps him to notice that Carlo is a corpse; only the man’s dead weight flopping on top of him when Sam tries to grab the knife stops him from blaming Carlo for the crimes.
She responds, “You petty, narrow-minded little reporter. You figured it all out, didn’t you? A neat equation, Italian style: whore equals liar equals murderer. ” Anna’s rebuke spells out for Giordani and the audience why this sexual prejudice is a dead end. ” The second source of exposition about the XYY phenomenon is Dr. Casoni, who is eventually revealed as the killer. During the robbery at the film’s beginning, Dr. Casoni steals the files that would reveal his genetic abnormality, and to keep his secret he first pushes Dr.
Hitchcock’s work demonstrated that films focused on maniacs who kill beautiful women could reach artistic heights and also thrive outside the B-movie circuit, and in doing so, it redefined the thriller and horror genres. For years, producers around the globe searched for the movie that would be the next Psycho and the director who might be the next Hitchcock. If a thriller had a comparable premise, critics rushed to make the comparison, so when ABC-TV remarked in a review of Bird, “Remember Psycho?
Dario Argento by L. Andrew Cooper